![]() This works with both audio and MIDI, and with the new linked-track editing in Live 11, you can even comp things like a multitrack drum session so it will select the same take on every drum microphone at the same time. The top audio track automatically populates with your selections, and you’re left with a perfectly edited final take in little to no time at all. You go through each of your take lanes and highlight each favorite segment with the Draw tool. From there, you can audition each take, choose your favorite bits, and integrate them to arrive at a master take containing all the best moments. Once finished, all takes are indexed below your audio track in a convenient dropdown menu of sorts for you to store and organize. Dubbed ‘Take Lanes’, Ableton worked hard in developing this popular and often-requested feature, and it shows, in its simplicity and ease of use.įor those unfamiliar with comping, an example is to loop a segment of your song, let’s say the verse, and record multiple consecutive takes. First and foremost, comping is now built into Live 11. There are many new top-line features added to Live this time around. I played around with an advance copy of Live 11 for a few months, and here are some of my favorite new features and first impressions. Ableton Live 11 is scheduled for an early 2021 release. N ew editions of Ableton Live are always eagerly anticipated. ![]()
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